Listening Room – “Inventions & Dimensions”

Herbie Hancock – “Succotash”

Herbie Hancock – “A Jump Ahead”

From “Inventions & Dimensions” : 1963 : BLP 4147

After debuting on Blue Note with two very successful albums (“Takin’ Off” & “My Point of View”), Herbie Hancock quickly showed off the adventurous spirit that would go on to make him one of the most important purveyors of jazz over the next 4 decades (and still today!).  Rather than continue with his previous winning formula, Hancock changed gears and put together a quartet that focused almost entirely on rhythm.  Even though Willie Bobo and Chihuaha Martinez are providing the percussion, this album is not Latin jazz in the least, but rather is a classic hard bop session.  The overall feel of the album is a very spacious one, as if there is larger group playing than the one assembled.  Because this album preceded two stone cold jazz classics from Hancock (“Empyrean Isles” and “Maiden Voyage”) it is often overlooked in his vast discography, but it certainly should not be.  In the hands of a lesser talent this recording could easily fall flat, but as he has done so many times over Hancock finds a way to take the expected and make it unexpectedly amazing.

Players:
Herbie Hancock (p)
Paul Chambers (b)
Willie Bobo (d, tim)
Osvaldo “Chihuahau” Martinez (cga, bgo, finger cymb, guiro)

Listening Room – Kelly at Midnight

Great record showing Wynton Kelly in a trio setting backed by one of the greatest rhythm sections in the history of jazz:  Paul Chambers and Philly Joe Jones.  The three players are at the top of their game playing two Kelly originals (Temperance and Pot Luck) and three standards.

Kelly At Midnight
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Released 1960  :  Vee-Jay Records  :  Catalog # PS-3011

Players:
Wynton Kelly – Piano
Paul Chambers – Bass
Philly Joe Jones – Drums

Wynton Kelly – Pot Luck from “Kelly At Midnight”

Wynton Kelly – Temperance from “Kelly At Midnight”

Listening Room – “Kelly Great”

This 1959 record teams Wynton Kelly with fellow Vee-Jay Records artsits Wayne Shorter and Lee Morgan for a satisfying hard-bop session.  This album was pretty rare before it was re-released on CD and hopefully the original tracks (one each by Morgan (What I Know) and Kelly (Wrinkles), two by Shorter) might now get of the attention they deserve.

Kelly Great
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Released 1960  :  Vee-Jay Records  :  Catalog # LPS-1016

Players:
Wynton Kelly – Piano
Wayne Shorter – Tenor Sax
Lee Morgan – Trumpet
Paul Chambers – Bass
Philly Joe Jones – Drums

Wynton Kelly – Wrinkles from “Kelly Great”

Wynton Kelly – What Now from “Kelly Great”

Listening Room – “Lush Life”

Lush Life

John Coltrane – “Lush Life”

John Coltrane – “Like Someone in Love”

From “Lush Life” : 1958 : Prestige Records

This is early Coltrane from 1958 when he was recording for Prestige Records.  His reading of Lush Life is considered a classic and the trio tracks that make up the rest of the records are just as strong.

Players:
John Coltrane – Tenor Sax
Earl May – Bass (Like Someone in Love)
Art Taylor – Drums (Like Someone in Love)
Red Garland – Piano
Donald Byrd – Trumpet
Paul Chambers – Bass
Louis Hayes – Drums

Listening Room – “Blue & Sentimental”

Ike Quebec – “Blue & Sentimental”

Ike Quebec – “It’s All Right With Me”

From “Blue & Sentimental” : 1962 : Blue Note Records

Another piano-less session, this 1962 Blue Note album by Ike Quebec is considered one of his finest.  This was considered somewhat of a comeback period for Quebec and he couldn’t have picked a better group to help him interpret his signature mix of blues and ballads, with Grant Green in great form and one of the best rhythm sections of the day.

Players:
Ike Quebec – Tenor Sax
Grant Green – Guitar
Paul Chambers – Bass
Philly Joe Jones – Drums