Listening Room – “Confirmation”

Jimmy Smith – “What Is This Thing Called Love”

Jimmy Smith – “Confirmation”

From “Confirmation” : 1958 : Blue Note LT 992

A really nice blowing session from 1958 that was not released in the US until 1979 (Blue Note aficionados will recognize the artwork as part of the Blue Note LT series releases that began that year).  The album features two different sextets which fortunately included most of the cream of Blue Note’s roster at the time.  The players easily latch on to Smith’s steady lead and make this album a bit more interesting than some of the other jam sessions released around this time.   The 1979 LP release consisted of only 3 tracks (Confirmation took up all of Side 2) and as far as I know this material has never been released in CD form.  Any Jimmy Smith recording on Blue Note is a worthwhile listen, and with the addition of a young Lee Morgan and Kenny Burrell sitting in on both sessions (Confirmation was recorded a year later than the other 2 tracks) and you’ve got a great addition to Smith’s already legendary discography.

Players:
Jimmy Smith – Organ
Lee Morgan – Trumpet
Curtis Fuller – Trombone on What Is This Thing Called Love?
Lee Donaldson – Alto Sax on Confirmation
Tina Brooks – Tenor Sax on Confirmation
George Coleman – Alto Sax on What Is This Thing Called Love?
Kenny Burrell – Guitar
Art Blakey – Drums on Confirmation
Donald Bailey – Drums on What Is This Thing Called Love?

Listening Room – “Sugar”

Sugar

Stanley Turrentine – “Sugar”

Stanley Turrentine – “Impressions”

Stanley Turrentine – “Sugar (Live)”

From “Sugar” : 1970 : CTI 6005

“Sugar” was Stanley Turrentine’s debut recording for CTI, a label for whom he would go on to record a string of fantastic albums.  The original album only contained three tracks, while the out-of-print 1991 CD reissue added on a bonus live track of the title track (included here) which is a killer take on the album version that adds Johnny Hammond, Hubert Laws and Billy Cobham to the band [recorded at the Southgate Palace in Los Angeles in 1971].  The whole album is a showcase for Turrentine’s smoldering soul jazz saxophone sound, while Freddie Hubbard (who would record a few masterpieces for CTI) and George Benson are also in top form.  The band’s take on Coltrane’s Impressions closed out the original LP in fine fashion with the players firing on all cylinders.

Players:
Stanley Turrentine – Tenor Sax
Freddie Hubbard – Trumpet
Hubert Laws – Flute (Live track only)
Lonnie Liston Smith – Electric Piano
Johnny Hammond – Electric Piano (Live track only)
George Benson – Guitar
Butch Cornell – Organ
Ron Carter – Bass
Richard “Pablo” Landrum – Congas
Billy Kaye – Drums
Billy Cobham – Drums (Live track only)

From “Sunday Night”, 1989.  Stanley Turrentine – Sax, Hiram Bullock – Guitar, Philippe Saisse – Keys, Don Alias – Percussion, Tom Barney – Bass, J.T. Lewis, Drums.

Listening Room – “Blues-ette”

Curtis Fuller – “Five Spot After Dark”

Curtis Fuller – “Blues-Ette

Curtis Fuller – “Minor Vamp”

From “Blues-Ette” : 1959 : Savoy MG 12141

An absolute stunner of a jazz record that is not anywhere near as well known as it deserves to be.  While the initial impression of the album is its cool and relaxed feel, repeated listens show how much fire the players are putting forth.  Fuller’s muted trombone and Benny Golson’s smoky tenor sound are perfectly complemented by Tommy Flanagan’s delicate touch at the piano.  Fuller is still making great music today, but “Blues-ette” may very well stand as his most magnificent jazz achievement.

Players:
Curtis Fuller – Trombone
Benny Golson – Tenor Sax
Tommy Flanagan – Piano
Jimmy Garrison – Bass
Al Harewood – Drums

Listening Room – “Life Time”

Tony Williams – “Two Pieces Of One: Red”

Tony Williams – “Two Pieces Of One: Green”

Tony Williams – “Memory”

From “Life Time” : 1964 : Blue Note BLP 4180

Tony Williams debut album as a leader (he was still going by Anthony Williams when it was issued) is a great example of some classic Blue Note post bop.  The lineup features a strong group of label regulars at the time, including the under appreciated Sam Rivers on tenor saxophone.  The tracks Two Pieces of One: Red and Two Pieces of One: Green took up all of side one of the original LP and feature all the players except Hutcherson.  Williams wrote all of the compositions on the album and the open feel to much of the music shows that even as a young eighteen year old he had many of the chops in place that would make him one of the all time great jazz drummers.

Players:
Sam Rivers – Tenor Sax
Gary Peacock – Bass
Richard Davis – Bass
Ron Carter – Bass
Bobby Hutcherson – Vibes
Herbie Hancock – Piano
Tony Williams – Drums & Percussion

Listening Room – “Upon This Rock”

Upon This Rock

Joe Farrell – “Weathervane”

Joe Farrell – “Upon This Rock”

From “Upon This Rock” : 1974 : CTI 6042

This 1974 fusion extravaganza was Joe Farrell’s fifth release in a string of fantastic records for CTI.  This album again features the guitar talents of Joe Beck, who could have easily been credited as a co-leader, as his instrument is front and center throughout the entire recording.  Farrell shows off his many talents, switching between the tenor and alto saxophones as well as the flute.  The record opens with the blistering Weathervane, while the title track settles into a groove as Beck and Farrell have their way with the funky melody.  For whatever reason, this album is currently out-of-print.

Players:
Joe Farrell – Tenor & Soprano Sax, Flute
Joe Beck – Guitar
Herbie Hancock – Piano
Herb Bushler – Bass
Don Alias – Conga
Jim Madison – Drums

Listening Room – “The Jaki Byard Experience”

Jaki Byard – “Parisian Thoroughfare”

Jaki Byard – “Shine On Me”

Jaki Byard – “Memories Of You”

From “The Jaki Byard Experience” : 1968 : Prestige PR 7615

It is easy to see why Jaki Byard’s collaboration with Roland Kirk (in his pre-Rahsaan days) resulted in one of his finest albums.  Besides being one of the great unsung pianists in jazz history, Byard’s solo output is often overlooked in comparison with his contemporaries.  The album opener, the Bud Powell classic Parisian Thoroughfare, starts off like a fist fight between the band, but then evolves into a beautiful and emotional rendition of the oft-covered tune.  Shine on Me is a traditional early jazz tune given a nice modern twist, while the real gem of the album might be the duet between Byard and Kirk on the standard Memories of You (check out Kirk’s tone on the saxophone!).  It is obvious that these two ultra-talented guys enjoyed and respected each other’s company in the studio and it really comes through both on the duet and the album as a whole.

Players:
Jaki Byard – Piano
Roland Kirk – Tenor Sax, Clarinet, Manzello, Whistle, Kirkbam
Richard Davis – Bass
Alan Dawson – Drums

Listening Room – “Inside Straight”

Cannonball Adderley Quintet – “Inside Straight”

Cannonball Adderley Quintet – “Inner Journey”

Cannonball Adderley Quintet – “Snakin’ The Grass”

From “Inside Straight” : 1973 : Fantasy F9435

This 1973 quintet session (actually a sextet with King Errison on percussion) from Cannonball Adderley features a stellar group of talented players who all fall easily into the groove of the funky soul jazz that was Adderley’s sound in this last phase of his career.  Hal Galper in particular contributes heavily to the album with three compositions (Inner Journey, Snakin’ The Grass, Second Son) not to mention his outstanding electric piano playing throughout.  The album was recorded live at Fantasy Studios, where Studio A was converted into a makeshift “nightclub”.  This was a somewhat new concept for jazz recording at the time, but the resulting album is great, as the players are clearly feeding off the energy of the small crowd in attendance.

Players:
Cannonball Adderley – Alto Sax
Nat Adderley – Cornet
Hal Galper – Electric Piano
Walter Booker – Bass
Roy McCurdy – Drums
King Errison – Percussion

Listening Room – “Coltrane Playlist #2″

John Coltrane Playlist #2

Syeeda’s Song Flute from “Giant Steps” : 1959 : Atlantic LP 1311
Bye Bye Blackbird
from “‘Round About Midnight” : 1955: Columbia CL 949
Trane’s Slow Blues
from “Lush Life” : 1957 : Prestige PRLP 7188
Super Jet
from “Mating Call” : 1956 : Prestige PRLP 7070
Impressions
from “Complete 1961 Village Vanguard Recordings” : 1961 : Impulse 4-232

John Coltrane – “Syeeda’s Song Flute”

Miles Davis – “Bye Bye Blackbird”

John Coltrane – “Trane’s Slow Blues”

Tadd Dameron / John Coltrane – “Super Jet”

John Coltrane – “Impressions”

Listening Room – “Hank & Frank” (R.I.P. Hank Jones)

Hank Jones & Frank Wess – “All Or Nothing At All”

Hank Jones & Frank Wess – “A Hankerin’”

Hank Jones & Frank Wess – “You Made A Good Move”

From “Hank and Frank” : 2006 : Lineage Records

The term “jazz legend” gets tossed around pretty loosely these days, but there is little doubt that the great Hank Jones is deserving of the title.  He was named an NEA Jazz Master in 1989 (full list here), received the National Medal of the Arts in 2008 and was honored with a lifetime achievement Grammy award in 2009.  Unlike his more high profile brothers (trumpeter Thad and drummer Elvin), Hank Jones played the role of sideman to perfection for most of his career.  It was not until much later in life that he began to make a name for himself as a successful headliner.  The NY Times reported that he was planning a tour of Europe when he passed away on March 17th at the age of 91.

Hank Jones and the horn player Frank Wess first played together in the 1950′s and reunited in 2006 for the excellent “Hank and Frank” recording.  The album features a stellar lineup of players and stands as both an excellent introduction and a fine tribute to the skills of one of jazz’s great pianists.

For more on Hank Jones, check out Jazz Times excellent feature article on him from January of 2009.

Players:
Hank Jones – Piano
Frank Wess – Tenor and Flute
Ilya Lushtak – Guitar
John Webber – Bass
Mickey Roker – Drums

Listening Room – “Roots & Herbs”

Art Blakey & The Jazz Messengers – “Look At The Birdie”

Art Blakey & The Jazz Messengers – “Master Mind”

Art Blakey & The Jazz Messengers – “Roots & Herbs”

From “Roots & Herbs” : 1961 : Blue Note BST 84347

Recorded in 1961, but not released until 1969, “Roots & Herbs” features one of the great editions of the Jazz Messengers.  This group recorded extensively for Blue Note in 1960-1961 (there is an entire Mosaic box set devoted just to this group, out-of-print of course!) and all of their output was excellent.  This shelved album is no exception, although it is unique in that it features all Wayne Shorter compositions, which gives a nice look into the young mind of an artist who would soon go on to become one of jazz’s great modern composers.

Players:
Lee Morgan – Trumpet
Wayne Shorter – Saxophone
Bobby Timmons – Piano
Walter Davis, Jr. – Piano
Jymie Merritt – Bass
Art Blakey – Drums